Bird Photographer of the Year 2020

Belated news, for the results were announced already a month ago, but I thought you’d be interested: I’ve got two images in this year’s Bird Photographer of the Year competition’s selection! You have seen these pictures before; they are among my favourite, and they both come from the Subantarctic Islands.

Here is the first one:

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[fr] Je suis tr√®s heureux de voir mes photos publi√©es dans le magazine nature Terre Sauvage ! Le num√©ro 368 (Septembre 2019), en kiosque ce mois-ci, contient en effet un article sur mon voyage dans les √ģles subantarctiques de Nouvelle-Z√©lande et d’Australie, intitul√© “Tr√©sors australs”. Je suis trop content !


I’m delighted to announce that French nature magazine Terre Sauvage has published my pictures from the Subantarctic Islands of New Zealand and Australia in their latest issue (#368 – September 2019)!

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What’s in a pic: Common redshank

What’s in a pic: Common redshank

In my first What’s in a pic article (two years already, check it out here!), I described how I used noise reduction to enhance an image. I also presented other tools and techniques, and now that I read the article again, I find my old self quite… naive. A lot has changed in how I approach photography and post-processing, that’s for sure!

In today’s article, I explain the thought process behind the picture of a Common redshank (Tringa totanus) I took on Kylm√§pihlaja. Please see my last piece here for more pictures of this beautiful place and its inhabitants.

It started with this shot. I liked the light, warm and soft, and the foreground elements coming from bushes positioned between me and the bird. I liked the background too, but I wanted it more blurred, less distinct.

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Wildlife Inspired

Wildlife Inspired

Photographers, like all artists, need inspiration. It can be the National Geographic contributor, it can be the anonymous bird shooter on Instagram. It can come from the colours, it can come from the composition. It can be in your field… or not. It doesn’t matter, as long as this person’s photographs touch you and push you to try new concepts and improve.

I, myself, have my own sources of inspirations. My “heroes”.
Ray Hennessy is one of them. A bird photographer from New Jersey, he has always captivated me by his advocacy of “small in the frame” and backlit photography for birds. He always has stunning compositions, he always has stunning lighting, and he really tries to think of creative ways to show his birds. I have followed him for a couple of years now, and it’s always a pleasure to see his daily post.

Recently, he and his fellow photographer Scott Keys started live discussions, on Facebook first and now on Youtube. The principle is very simple: they choose a topic (How to approach wildlife, How to post-process bird pictures…), they talk about it, showing their own photographs, and they answer questions you can ask via the online chat. Those videos are pure gold, they contain a lot of useful info for any beginner wildlife photographer, and I have hugely benefited from them. I cannot watch them live (hello time difference), but they are quickly available afterwards on their Youtube chain, aptly named Wildlife Inspired. Sometimes, they invite friends to talk about specific topics.

The last talk was named “We were all beginner wildlife photographers once”, and it covered basic but often overlooked aspects of wildlife photography: light, background, perspective, to name a few. Before the show, they announced they would review two portfolios, and prompted us to apply for it. I applied, without too much hope (it only happens to others, you know).

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You’re cheating, it’s photoshopped!

You’re cheating, it’s photoshopped!

Well, yes. What did you expect?

Eurasian siskin (Spinus spinus)

OK, let’s start from the beginning. More than anything else, especially more than a birder, I’m a photographer. As a photographer, I want to make pictures that I like, pictures that are pleasing to the eye, pictures that I find beautiful. My goal is not to make pictures that show exactly what was visible when I took them.

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What’s in a pic

What’s in a pic

Two weeks ago, I made a picture that I felt was great, and which is undoubtedly my greatest accomplishment from a purely technical point of view. It was this portrait of a Blue tit (Cyanistes caeruleus).

Today, I want to explore the path that led me to it: how I created it, what I find so great in it, and what it means to me. So let’s go!

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